Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Angelika Kauffmann
Amor Streitet mit den Grazien um Seine Pfeile

ID: 45127

Angelika Kauffmann Amor Streitet mit den Grazien um  Seine Pfeile
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Angelika Kauffmann Amor Streitet mit den Grazien um  Seine Pfeile


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Angelika Kauffmann

1741-1807,Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protegee of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints.  Related Paintings of Angelika Kauffmann :. | Fruhwerk | Amor Streitet mit den Grazien um Seine Pfeile | Der trauernde Telemach auf der Insel der Kalypso | Odysseus auf der insel der Kirke | Die Kronung Mariens durch die Heiligste Dreifaltigkeit |
Related Artists:
DUCK, Jacob
Dutch painter (b. ca. 1600, Utrecht, d. after 1660, Utrecht)
Axel Lindman
painted Coastal Landscape, Normandie in 1877
Homer Dodge Martin
American Barbizon School Tonalist Painter, 1836-1897, He was an American artist, particularly known for his landscapes. Martin was born at Albany, New York. A pupil for a short time of William Hart, his earlier work was closely aligned with the Hudson River School. He was elected as associate of the National Academy of Design, New York, in 1868, and a full academician in 1874. During a trip to Europe in 1876 he was captivated by the Barbizon school, and thereafter his painting style gradually became darker, moodier, and more loosely-brushed. From 1882 to 1886 he lived in France, spending much of the time in Normandy.






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